The sparse, stupefying ballad 'Light + Space' is the 'Ghosts' () of its time - and an unexpectedly moving finale. Most perturbing/entrancing is 'Carcass,' where thick sequencer burbling (reminiscent of early ) and lightly searing noise dip in and out as 's heavily treated, inhuman voice creaks and trembles. The affected quivering quality that she often uses recalls the 'fourth world' sound of trumpet player, especially when it dovetails with her queasy synthesizer textures. She occasionally thrusts her voice to the fore, as she does over synthetic-streak FX and probing drones on 'Years' the manner in which she sings 'You're mad because I will not leave you alone' is unsettling to the point of being confrontational. Just as significant, none of 's singing is as conventionally melodic as her contribution to ' (aka ) 'Strawberry Skies.' She uses considerably less echo, yet a type of effect is usually in effect - whether through layering or drastic manipulation. On her third album for Hyperdub, Laurel Halo continues to resist classification and deflect interpretation by treating the human voice like a synthetic material to be molded and shattered. This sprawling but of-a-piece release, ideal at 40 minutes in length, is significantly less beat-driven than and.

Lest there be any doubt as to whether there is a fit, the album's title is and its first track is titled 'Airsick' - no one would be surprised if labelhead issued productions of his own with those exact titles. One of the more fascinating electronic music producers to emerge in the 2010s, follows two EPs for Hippos in Tanks with an album for Hyperdub. Find album reviews, stream songs, credits and award information for Quarantine - Laurel Halo on AllMusic - 2012 - Laurel Halo, one of the more fascinating.

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